Adrian Stevens and Sean Snyder Are in Residence at the Denver Art Museum, And You Should Be There

Two-Spirit artists, activists, and beadwork visionaries Adrian Stevens and Sean Snyder are in residence at the Denver Art Museum through April 17, with Open Studio Hours running through this week. Known for their SWAIA-winning beaded “Birkin” bag and their runway presence at Indigenous fashion’s most celebrated stages, the couple now invites Denver audiences into their process — and their vision of bridging the past and future of moccasin design.

El Techichi: An Inscription of Jewelry as Evocation, Home, & Accession

Jewelry designer Omar Monroy creates pieces that carry memory, land, and lineage. Through her practice, El Techichi, stones, shells, and pearls become stories—evoking family, migration, and the living geographies of Turtle Island and Abya Yala.

Story and Photography by Nat Armenta

Generational Love: Vina Brown’s Debut Exhibition Weaves Timeless Teachings into the Present

Jewelry artist and multidisciplinary creator Vina Brown (ƛ̓áqvas gḷ́w̓aqs / Copper Canoe Woman) unveiled her first solo exhibition, Generational Love, on August 21 with an unforgettable evening of art, culture, and celebration. Rooted in the timeless teachings of her Haíłzaqv and Nuučaan̓uł families, the show transformed tradition into bold, contemporary works that honored both lineage and futurism.

The Original Native Fashion Show: The Crow Fair Parade

The Crow Fair Parade is more than a cultural celebration—it’s a living fashion show where heritage and style intertwine in a spectacular display of craftsmanship and pride. Held annually in Montana by the Apsáalooke (Crow) Nation, this mile-long procession showcases the stunning beadwork and regalia that riders and their horses wear, making it one of the most celebrated fashion events in Indian Country. In this story, we delve into the intricate artwork, the deep-rooted traditions, and the modern twists that make the Crow Fair Parade a breathtaking fusion of fashion and culture.